Paris closes the month dedicated to the Autumn-Winter 2024 collections which started from the New York catwalks, crossing London and Milan.
The PFW was full of events: fashion shows, new entries and many celebs arriving in the city of love to participate in the front rows of the fashion shows.
Let’s start with the debut of the new creative director Chemena Kamali of Chloè, in perfect boho style, the show is a mix of modern and current atmospheres with the allure of Parisian DNA.
Stella McCartney creates an elegant and refined, “tailored” collection, almost every piece is sustainable, thus continuing her mission and the environmentalist discourse that runs through all her collections. Trench coats with XL shoulders, sparkling blazers with lead-free crystals, complete suits with skirts with a plunging slit.
On the Zimmermann catwalk, the designer takes us back to the twenties. Long dress with freehand sketches by the artistBarry Otto.Prints inspired by Art Nouveau wallpaper, flapper silhouettes redefined for today, predatory and voluminous blouses, leather and total denim.
Marine Serre, however, sets up the fashion show in a typically Parisian city location, the models parade with a daily wardrobe: duvets, leather jackets and suits rigorously printed with the crescent moon logo, python dresses that are collage of lace and see-through mesh.
Gipsy style the fashion show of the Parisian brand Isabel Marant. A return of leather and fringes, a reminder of the rebellion at the time of Woodstock. Sheepskins and suede vests, knitted dresses and jewel belts from the Seventies, glamorous corsair boots to navigate the city streets with great charm.
Vetements returns with great fanfare, after a two-year hiatus, a sartorialdissing, a manifesto of the brand, the iconic sculptural T-shirts with writings like ““Not mom’s favorite”, joggers with trains for the red carpet, blazers and leather coats. Georgina Rodriguez signed by Ronaldo also shows.
Protagonist on the catwalk of Stefano Gallici at Ann Demeulemeester, the lingerie combined with leather, laces, a little sassy, a little naughty. The atmosphere is gothic, dark, fetish accessories of a fashion supported by occult desires like that of Demeulemeester.
Transparencies, strings, corsets bring a powerful and sexy woman onto the scene at Mugler. A sensual game of see-through, stoles with sequin fringes.
